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Archive for the ‘Machine Embroidery’ Category

Don’t fall off your chair in shock, but I have some textile pieces to show you!  The first for months, and a bit different as well.

At our Nifty Needles group today, where our current theme is Recycling, I demonstrated how to make a couple of different textured surfaces for further embellishment and stitch.

I guess the first, Fabric Paper, is really what one might call a mixed media technique but the results certainly have potential for a number of things.  Instructions can be found here on Linda Matthews website “Creative Textile and Quilting Arts”.  One starts with a piece of fine cotton slathered with a diluted PVA glue, then add bits of fabric, threads, dried petals or whatever, and cover it with tissue paper – plain, coloured or discarded dressmaking patterns, and saturate it again with glue.  It can be painted wet, or dry (my preference), and when totally dry becomes a flexible fabric which can be machine or hand stitched.  Some photos of how mine was made.

Damp fabric with a layer of muslin and other bits and pieces.

Covered with old dress pattern tissue

This piece was painted while wet, and will need more when dry.

A second piece with added threads, before the tissue layer

Final product - painted dry, dried again and then Shiva Paintsticks applied.

This last piece is very textured and has the feel and consistency of leather, and will probably make a book cover, but I think fabric paper could be used for boxes, vessels, ATCs, Postcards and more….. I made a small notebook from some as a sample for this session, where the pages are made from the backs of A4 envelopes.

The second surface was made using strips of plastic fruit or onion bags, overlapped and layered on Aqua Bond, covered with another plastic dissolving film, and densely machine stitched all over with polyester thread (which will melt) to hold it together and to integrate the pieces and colours.  A simple design with a strong outline was drawn onto the top plastic film, and machine stitched again with cotton or other heat resistant thread, before dissolving the Aqua Bond and Romeo.  This results in an open and lacy fabric which can be layered and stitched on something else.  With mine, I used a soldering iron to cut away the centres of the simple daisy design, which is why it is essential that the first stitching is done with Polyester thread.  Having left my preparation for this session to the last minute, this piece was made in a hurry last night, but even so I think it is quite effective, and if made with a bit more thought, the technique has a lot of potential.

Strips of fruit bag layered, and covered with plastic film.

Piece has been machine stitched all over, and design drawn on the plastic

Design machine stitched with cotton thread - could use metalic.

Plastic films have been dissolved, and fabric sitting on black felt

I plan to do this again with better colour choices, a more interesting design and try metallic threads plus some hand stitching…..but don’t hold your breath!

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Jasmine and her contents were displayed today at our Guild meeting, but she is once more on her way to her next showing in the South of this state.  Our members were impressed by the wide range of techniques used, the amount of work involved, the very vibrant colours in the textiles, and the skills with which each piece was worked.  Many of them were pieces designed to hang, but unfortunately we did not have the means to hang them all – none the less we were all able to enjoy this traveling exhibition spread out on tables.  The pieces of work were accompanied by a large folder which explained how they were made, together with an artist’s statement for each piece.  I would certainly recommend this show to anyone who might want to have it visit their group – so if you do, then contact ATASDA.

Here are some photos of some of the works…….

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The fabric book has finally been finished, I completed the binding of the pages last night.  I’m fairly pleased with it, but as always , if I were doing it again some things would be done differently.  There are eight pages inside the cover, each one demonstrates a technique learned at Nifty Needles, the EG interest group that focuses on non traditional embroidery techniques.

The pages are bound with a simple stitched Japanese binding.

Each page is backed with a hand-dyed fabric, and the edges finished with buttonhole stitch.

Each facing page has a label with the name of the piece, and details of how it was made.

The labels were printed on the computer and attached with Vliesofix

The background fabric for the covers was made by enclosing a piece of wool prefelt between two layers of hand dyed silk, stitching them together by hand and machine, then felting the three layers together. It is a lovely texture to touch.

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This one is to show what one might do with a monoprint.  In class, this was scribbled on glass and printed on calico.  Today I coloured it with acrylic paints and added machine stitching.  I really like it and would like to try it again with a little more planning and attention to detail…….

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